L'Amérique divisée en ses principaux Etats

Uncommon map of the American continent after Janvier's, to whom Santini gives credit in the cartouche.

This map is most notable for it's depiction of "Mer ou Baye de L'Ouest" or "Sea of the West".

A great sea, easily the size of the Mediterranean, to flow from the then-known Strait of Juan de Fuca. Showing an opening to the ocean from this great sea at roughly in North California or Oregon. Listing Indian nations.

Map compiled by Don Paolo Santini and his brother Francesco, for their prestigious Atlas universel dressé sur les meilleures cartes modernes, a sumptuous Atlas composed of maps that rework the most up-to-date French cartography in a Venetian guise.

The maps are taken from the best geographers of his time, D'Anville, Bellin, Bonne, Borgomo, Boscovich, Clarici, Delisle, Jaillot, Janvier, Robert de Vaugondy.  Indeed, in Santini's maps, French terms are mixed with Italian, but they are offered with a compositional and engraving grace that is characteristic of them: an uncluttered toponymy, written large and clearly legible.

Santini's Atlas did not have great publishing success and came out in few copies: it was then reprinted by the Remondini, who had purchased the copperplates from Santini in 1781. To Paolo Santini's maps, dated between 1774 and 1780, the Remondini added several other maps, dated between 1782 and 1784: among them, in the second volume, the large folded maps of Italy, the Republic of Genoa, Palestine, and the large maps of Africa.

Paolo Santini (1729, Venice-1793, Belluno), Catholic priest at the Church of Santa Maria Formosa in Venice, professor of drawing at schools in the Lagooon city of the Venetian Province of the Society of Jesus. Santini, a cartographer, engraver and publisher, updated and published the maps of French geographers and cartographers Gilles Robert de Vaugondy (1688-1766) and Didier Robert de Vaugondy (c. 1723-1786), also drawing inspiration from the works of Italian cartographers, first and foremost those of Giovanni Antonio Rizzi Zannoni (1736-1814). Using, as a model, the maps collected and published in 1752 in the Atlas Universel by Gilles Robert and Didier Robert de Vaugondy, purchased in Paris by his brother, Francesco Santini, and the "best maps" of the time, Paolo Santini engraved new plates and gave to the presses in Venice, in 1776, the Atlas Universel dressé sur les meilleures cartes modernes. The following year, 1777, he sold the publishing rights to publisher Giuseppe Remondini (1754-1811) of Bassano del Grappa, who reprinted the "Atlas Universel" in two volumes that collected a total of 123 maps. The copper plates in the Santini's possession were later purchased, in 1781, by the Remondini printing house.

Copperplate engraving, original outline coloring, in excellent condition.

Bibliografia

NMM III, 277; Nordenskiöld 276; Phillips, Atlases 647. Rodolfo Gallo, L'incisione nel '700 a Venezia e a Bassano, in “Ateneo Veneto”, A. CXXXII, v. 128, pp. 153-214.