Sibinium, Ptolemeo Sicum vulgo Sibenicho Dalmatie opp:

View of Sibenik, from the second volume of the Civitates Orbis Terrarum, the first atlas entirely dedicated to city plans and views of the main cities of the world, printed in six volumes between 1572 and 1617, it has been translated in Latin, German and French; the engravings are ascribed to Franz Hogenberg and Simon van de Noevel. Made after woodcuts by Erhard Reuwich in Bernard von Breydenbach's Peregrinatio in Terram sanctam, 1486.

"Sibenik is depicted from the sea, overlooking the narrow harbour entrance to the sound with its St Nicolas's fortress and two bastions. St Michael's (today St Anne's) fortress can be seen on the hill above the town. Sibenik is first mentioned in 1066. After multiple, alternating rulers in 1412 Sibenik was captured by the Venetians and remained under their rule until 1797. The three-nave cathedral, one of the most famous Dalmatian Renaissance structures, which was erected from 1431 to 1535 in honour of St James, can be made out with its characteristic domed crossing at the front centre; to the right is the church of St Francis. Sibenik lies on the Adriatic coast in Dalmatia, a region steeped in history, and today has 52,000 inhabitants".(Taschen)

The work is included in the Civitates Orbis Terrarum, the first atlas devoted exclusively to plans and views of the world's major cities. Printed in six volumes between 1572 and 1617 it was so successful and widespread that several editions translated into Latin, German and French were printed.

The first volume of the Civitates Orbis Terrarum was published in Cologne in 1572. The sixth and the final volume appeared in 1617. This great city atlas, edited by Georg Braun and largely engraved by Franz Hogenberg, eventually contained 546 prospects, bird-eye views and map views of cities from all over the world. Fransz Hogenberg produced the plates for the first four books, and Simon van den Neuwel (Novellanus, active since 1580) those for volumes V and VI.

Georg Braun (1541-1622), a cleric of Cologne, was the principal editor of the work, and was greatly assisted in his project by the close, and continued interest of Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was, as a systematic and comprehensive collection of maps of uniform style, the first true atlas. The Civitates, indeed, was intended as a companion for the Theatrum, as indicated by the similarity in the titles and by contemporary references regarding the complementary nature of two works. Nevertheless, the Civitates was designs to be more popular in approach, no doubt because the novelty of a collection of city plans and views represented a more hazardous commercial undertaking than a world atlas, for which there had been a number of successful precedents. Franz Hogenberg (1535-1590) was the son of a Munich engraves who settled in Malines. He engraved most of the plates for Ortelius's Theatrum and the majority of those in the Civitates, and may have been responsible for originating the project.

Over a hundred of different artists and cartographers, the most significant of whom was Antwerp artist Georg Hoefnagel (1542-1600), engraved the cooper-plates of the Civitates from drawings. He not only contributed most of the original material for the Spanish and Italian towns but also reworked and modified those of other contributors. After Hoefnagel's death his son Jakob continued the work for the Civitates.

The author set out to depict "non icones et typi urbium," that is, not generic and typified images, "sed urbes ipsae admirabili caelaturae artificio, spectantium oculis subiectae appareant": not intended to allude or idealize but to represent faithfully on paper, to reproduce exactly, and in real time, what the eye sees, as announced in the preface to the first volume of Civitates Orbis Terrarum.

Copper engravings, with original hand colouring, in very good conditions.