De Heylige en Wytuermaerde Stadt Jerusalem EErst Geneamt Salem

Reference: S46332
Author Claes Jansz. VISSCHER
Year: 1645
Zone: Jerusalem
Printed: Amsterdam
Measures: 480 x 320 mm
€575.00

Reference: S46332
Author Claes Jansz. VISSCHER
Year: 1645
Zone: Jerusalem
Printed: Amsterdam
Measures: 480 x 320 mm
€575.00

Description

Perspective map of Jerusalem by Claes Janszoon Visscher, 1645; depicts Solomon's Temple, Herod's Palace, and the city's streets and markets as derived from scriptural sources.

The vignettes include the anointing of Solomon in the lower right and the Crucifixion in the lower left. On the left, a banner held open by an eagle offers a legend of thirty-six numbered elements.

The title itself gives an idea of its religious bent, referring directly to Genesis 14, verse 18, which speaks of King Melchizedek of Salem, who was also a priest, bringing out bread and wine. Through his map, Visscher pays homage to the biblical depiction of Jerusalem and interweaves history with religious teachings. A prominent element that immediately draws attention is the scene of Solomon in the foreground: considered one of Israel's greatest kings, he is known for his wisdom and for building the First Temple in Jerusalem.

Visscher's source is the unobtainable 1630 plan printed by Lünenburg theological publishers Johann and Heinrich Stern. Although earlier representations of the Holy City based on scriptural sources certainly exist, most were based on Christian van Adrichom's fanciful 1584 map.

Etching, finely hand-colored, restorations along vertical folds visible on verso, otherwise in good condition.

Bibliografia

Laor, E., Maps of the Holy Land, #1155.

Claes Jansz. VISSCHER (Amsterdam 1587 - 1652)

Claes Janszoon Visscher (1587 – 19 June 1652) was a Dutch draughtsman, engraver, mapmaker, and publisher. He was the founder of the successful Visscher family mapmaking business. The firm that he established in Amsterdam would be passed down his generations until it was sold to Peter Schenk. Visscher, who was born and died in Amsterdam, was also known as Nicolas Joannes Piscator or Nicolas Joannis Visscher II, after his father who lived c. 1550–1612. He learned the art of etching and printing from his father,and helped grow the family printing and mapmaking business to one of the largest in his time. It was a family business; his son Nicolaes Visscher I (1618–1679), and his grandson Nicolaes Visscher II (1649–1702) were also mapmakers in Amsterdam on the Kalverstraat. The times were with the Visschers for other reasons; due to the Protestant reformation, the older Bibles with their "Roman Catholic" illustrations were seen as outdated and apocryphal, but to liven up the new Protestant Bibles for the less well-read clergy, the Visschers produced illustrated maps and even landscapes of the places in the Bible. This became a very successful family business, with collaboration with many respected draughtsmen of the day. A new translation of the Bible was underway in the Netherlands, and until then, the new German translation done by Johannes Piscator, published in 1602–1604, was translated into Dutch. Though probably not a relative, his Bible translation was accepted by the Dutch Staten-General in 1602, which only lent more publicity and authenticity to the "Fisher" name. He first established his company in Amsterdam within a district known for publishing maps, the area saw fellow contemporary mapmakers such as Jodocus Hondius and Pieter van den Keere. There is also a belief that Hondius might have apprenticed Visscher. The trademark of the Visschers was a fisherman, as he often published under the name Piscator. In his maps, a small fisherman would be strategically placed somewhere near water. If the subject was a landscape without a stream or pond, then often a figure walking with a fishing rod can be seen. Their map plates were reused for a century by other printers who unknowingly copied the entire plates, including the tell-tale fishermen. Observant scholars are thus able to trace the provenance of Bibles, maps, and landscapes from these signs. Aside from Bibles, Claes Visscher II primarily etched and published landscapes, portraits, and maps. He etched over 200 plates and his maps included elaborate original borders. Visscher died in 1652. He was a publisher of prints by Esaias van de Velde, and David Vinckboons, and was a big influence on Roelant Roghman and on his sister Geertruyd.

Claes Jansz. VISSCHER (Amsterdam 1587 - 1652)

Claes Janszoon Visscher (1587 – 19 June 1652) was a Dutch draughtsman, engraver, mapmaker, and publisher. He was the founder of the successful Visscher family mapmaking business. The firm that he established in Amsterdam would be passed down his generations until it was sold to Peter Schenk. Visscher, who was born and died in Amsterdam, was also known as Nicolas Joannes Piscator or Nicolas Joannis Visscher II, after his father who lived c. 1550–1612. He learned the art of etching and printing from his father,and helped grow the family printing and mapmaking business to one of the largest in his time. It was a family business; his son Nicolaes Visscher I (1618–1679), and his grandson Nicolaes Visscher II (1649–1702) were also mapmakers in Amsterdam on the Kalverstraat. The times were with the Visschers for other reasons; due to the Protestant reformation, the older Bibles with their "Roman Catholic" illustrations were seen as outdated and apocryphal, but to liven up the new Protestant Bibles for the less well-read clergy, the Visschers produced illustrated maps and even landscapes of the places in the Bible. This became a very successful family business, with collaboration with many respected draughtsmen of the day. A new translation of the Bible was underway in the Netherlands, and until then, the new German translation done by Johannes Piscator, published in 1602–1604, was translated into Dutch. Though probably not a relative, his Bible translation was accepted by the Dutch Staten-General in 1602, which only lent more publicity and authenticity to the "Fisher" name. He first established his company in Amsterdam within a district known for publishing maps, the area saw fellow contemporary mapmakers such as Jodocus Hondius and Pieter van den Keere. There is also a belief that Hondius might have apprenticed Visscher. The trademark of the Visschers was a fisherman, as he often published under the name Piscator. In his maps, a small fisherman would be strategically placed somewhere near water. If the subject was a landscape without a stream or pond, then often a figure walking with a fishing rod can be seen. Their map plates were reused for a century by other printers who unknowingly copied the entire plates, including the tell-tale fishermen. Observant scholars are thus able to trace the provenance of Bibles, maps, and landscapes from these signs. Aside from Bibles, Claes Visscher II primarily etched and published landscapes, portraits, and maps. He etched over 200 plates and his maps included elaborate original borders. Visscher died in 1652. He was a publisher of prints by Esaias van de Velde, and David Vinckboons, and was a big influence on Roelant Roghman and on his sister Geertruyd.