TABULA ASIAE XI

Detailed map of Indian, the Indian Ocean and the Malaysian Peninsula, reflecting the ancient belief in a land locked Indian Ocean.

Ruscelli’s map of Indochina on trapezoidal projection based on the work of Ptolemy and Giacomo Gastaldi, and depicts India and the land mass south and westward from China as it was perceived by many cartographers at the time.

The map covers a vast area starting from the Ganges River in the west, extending to China, Burma, Vietnam and the China Sea. It extends from the Himalaya Mountains in the north south to the tip of the Malay Peninsula and back to the west, suggesting the view held by many, beginning with Ptolemy, that the Indian Ocean was landlocked. A number of river systems and mountain ranges are depicted and many cities are named.

Map taken from Geographia di Claudio Tolomeo edited by Girolamo Ruscelli, published in Venice in several editions between 1561 and 1598. The maps is based on the Geografia by Giacomo Gastaldi (1548), who probably also personally drew these maps, which were engraved by the brothers Livio and Giulio Sanuto.

The peculiarity of these maps is that they are engraved two for plate and subsequently cut; this is why the copper sign only appears on three sides of the map. Ruscelli's text and his maps are considered to be the best modern atlas up to the first version of Abraham Ortelius' Theatrum Orbis Terrarum (1570).

Only their widespread diffusion prevents a sustained evaluation in the antiquarian market. In fact, the work had a first edition in 1561, printed by Vincenzo Valgrisi who also edited the 1562 reprint. There are three editions signed by Giordano Ziletti (two in 1564 and one in 1574), while in 1597 it was published by the Calignani brothers. All these editions contain 64 plates. In 1598 and 1599 the two editions edited by Giuseppe Rosaccio and printed by the heirs of Melchior Sessa came to light. These last two editions include 69 plates; in fact, Rosaccio's map of the planisphere and continents has been added.

Etching and engraving with fine later hand colour, in good condition.