(La Valletta)

Reference: S37849
Author Nicolas Beatrizet detto BEATRICETTO
Year: 1566 ca.
Zone: Valletta
Printed: Rome
Measures: 282 x 415 mm
€9,000.00

Reference: S37849
Author Nicolas Beatrizet detto BEATRICETTO
Year: 1566 ca.
Zone: Valletta
Printed: Rome
Measures: 282 x 415 mm
€9,000.00

Description

In the lower right-hand cartouche we read: a sopra detta Citta è, d' Longhezza Canne 500. In circha et di Largezza Canne 300. In Circha. In quello i alto a sinistra una legenda con 11 punti con il titolo: Disegno de' porti e' forti del'Isola de Malta.

At the bottom left are the editorial indications: Ant. Lafrerij Romae 1566. In the sea, the graphic scale of 6 units, without measure, is designed. Orientation by means of a compass rose where the North, Middle of, East, Levant are, the north-east is at the top.

First printed representation of the port and the bay of Valletta, attributed by the literature to Nicolas Beatrizet.

This specimen can be dated 1566, when Lafreri re-prints the original plate, updating it, modifying it and adding its own signature. The title is different and the table is enriched by the new cartouche containing a legend.

Etching and engraving in very good condition.

Literature

Bifolco-Ronca (2018): n. 880, III/IV; Alberti (2009): n. 21; Almagià (1929): n. 33a; Ganado (2003): pp. 366-368 e 389-391, nn. 14, 34-35, tavv. 110, 131-132; Ganado-Schirò (2016): pp. 135-146, fig. 30; Pagani (2012): p. 84; Tooley (1939): nn. 361, 375.

Nicolas Beatrizet detto BEATRICETTO Thionville 1515 circa - Roma 1565

Nicola or Niccolò Beatricetto, or Beatrice or Beatici or Beatricius or Nicolas Beatrizet Lotharingus according to the original name, was born in 1515 in Thionville, in the French region of Lorraine. He worked as drawer and engraver. He moved to Rome between 1532 and 1540 to study in the studio of Marcantonio and Agostino Veneziano. From the very beginning, he showed his peculiar sense of equilibrium for lines, shadows, tones and he became the leader of foreign engravers and artists in Rome. Under the influence of Agostino Veneziano and Giorgio Ghisi, Beatricetto picked up Raphael and Michelangelo as models for his work. He worked for Salamanca (1540-1541), for Tommaso Barlacchi (1541-1550) and Lafrery (1548) who eventually added some of his work to his Speculum. He essentially engraved reproductions of famous works, with sacred scenes and mythological subjects, buildings and palaces of his times. He died in Rome in 1565. The states of the second half of XVI century bear the names of Claude Duchet and heirs, Paolo Graziani, Pietro dè Nobili; in the XVII century those of Giovanni Orlandi, Philippe Thomassin, Gio.Giacomo dè Rossi “alla pace” and Giovan battista dè Rossi “a piazza Navona”; in the XVIII century that of Carlo Losi. Bartsch lists 108 prints under his name, Robert-Dumesnil 114 and Passavant 120.

Literature

Bifolco-Ronca (2018): n. 880, III/IV; Alberti (2009): n. 21; Almagià (1929): n. 33a; Ganado (2003): pp. 366-368 e 389-391, nn. 14, 34-35, tavv. 110, 131-132; Ganado-Schirò (2016): pp. 135-146, fig. 30; Pagani (2012): p. 84; Tooley (1939): nn. 361, 375.

Nicolas Beatrizet detto BEATRICETTO Thionville 1515 circa - Roma 1565

Nicola or Niccolò Beatricetto, or Beatrice or Beatici or Beatricius or Nicolas Beatrizet Lotharingus according to the original name, was born in 1515 in Thionville, in the French region of Lorraine. He worked as drawer and engraver. He moved to Rome between 1532 and 1540 to study in the studio of Marcantonio and Agostino Veneziano. From the very beginning, he showed his peculiar sense of equilibrium for lines, shadows, tones and he became the leader of foreign engravers and artists in Rome. Under the influence of Agostino Veneziano and Giorgio Ghisi, Beatricetto picked up Raphael and Michelangelo as models for his work. He worked for Salamanca (1540-1541), for Tommaso Barlacchi (1541-1550) and Lafrery (1548) who eventually added some of his work to his Speculum. He essentially engraved reproductions of famous works, with sacred scenes and mythological subjects, buildings and palaces of his times. He died in Rome in 1565. The states of the second half of XVI century bear the names of Claude Duchet and heirs, Paolo Graziani, Pietro dè Nobili; in the XVII century those of Giovanni Orlandi, Philippe Thomassin, Gio.Giacomo dè Rossi “alla pace” and Giovan battista dè Rossi “a piazza Navona”; in the XVIII century that of Carlo Losi. Bartsch lists 108 prints under his name, Robert-Dumesnil 114 and Passavant 120.