Tartariae Sive Magni Chami Regni typus
| Reference: | S46125 |
| Author | Abraham ORTELIUS |
| Year: | 1570 ca. |
| Zone: | Tartary |
| Printed: | Antwerpen |
| Measures: | 470 x 350 mm |
€1,300.00
| Reference: | S46125 |
| Author | Abraham ORTELIUS |
| Year: | 1570 ca. |
| Zone: | Tartary |
| Printed: | Antwerpen |
| Measures: | 470 x 350 mm |
€1,300.00
Description
Magnificent example of Abraham Ortelius' map of Tartary, Japan and the west coast of North America, taken from Ortelius' Theatrum Orbis Terarrum, the world's first modern atlas.
This map is the first obtainable to name California and is one of the first to include the Anian Strait, which separates North America from Asia. It provides a remarkable representation of what was then the Kingdom of the Tartars, stretching from the Caspian Sea in the west to China, Japan and Russia in the east. Taiwan, named as Isla Fermosa, is included. The map also provides an interesting depiction of America's northwest coast, California and what is now the American Southwest. Japan is depicted horizontally, a typical representation of the archipelago at the time. However, its greatest innovation is, as mentioned, the depiction of the Anian Strait, now the Bering Strait. The first map to do so was Giacomo Gastaldi's 1562 planisphere. The Strait then became an abbreviation for a passage to China, or a Northwest Passage. It appears on maps until the mid-18th century.
Example of the third state of four according to Van den Broecke: “from 1587F onwards, all coast lines, islands etc. received another round of additional horizontal hachuring. Where the original hachuring was 2-3 mm, and the intermediate phase had to 5-6 mm, it is now 7-9 mm. The ship in the centre of the map now has waves under it extending all along below the ship”. From the rare Italian edition of Theatrum Orbis Terrarum printed in Antwerp by Jean Baptiste Vrients in 1608 and then in 1612.
From 1609, the ship in the centre was re-engraved, and the portholes disappeared again.
From 1595 onwards, the lower left corner started to break off. By 1609, the missing piece measures 4 x 6 mm, and the stippling of the sea has completely faded away.
This map is based on Ortelius' 1564 wall map of the world and his 1567 wall map of Asia, both in 8 sheets. His Asia map in turn was based on Gastaldi 1561 (Karrow p. 2-3, Meurer p. 38), and the Western part possibly on Herberstein, as Brandmair argues.
The Theatrum Orbis Terrarum is considered the first true modern "Atlas". The work was published in 7 languages and 36 editions, for which - in 1570 - Ortelius obtained the privilege, a kind of copyright that prevented other cartographers from publishing his works. The Theatrum represented the most advanced work of cartographic description. Ortelius collected in it the geographical and cartographic knowledge of his time, proposing in 147 spectacular engraved plates the most faithful image of the world then known and, in some extraordinary "historical maps", regions and routes taken from literature, mythology, tradition. Ortelius was also the first to cite sources, mentioning the names of cartographers in the "catalogus auctorum". From 1598 to 1612 the posthumous editions of the Theatrum were made by his collaborator Johannes Baptiste Vrients.
Copper engraving, contemporary coloring, in good condition.
Bibliografia
Van den Broecke – Ortelius, n. 163; Wheat, C. I., Mapping of the Transmississippi West, 1540 – 1861, #16. Wagner, H. R., The Cartography of the Northwest Coast of America To the Year 1800, #81. Cortazzi, H., Isles of Gold: Antique Maps of Japan, plate 16. Walter, L., Japan: A Cartographic Vision: European Printed Maps from the early 16th to the 19th Century, #11E.
Abraham ORTELIUS (1528 - 1598)
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Abraham Ortel, better known as Ortelius, was born in Antwerp and after studying Greek, Latin and mathematics set up his business there with his sister, as a book dealer and 'painter of maps'. Travelling widely, especially to the great book fairs, his business prospered and he established contacts with many sultured men in many lands. On one such visit to England, possibly seeking temporary refuge from religious persecution, he met William Camden whom he is said to have encouraged in the production of the Britannia.
A turning-point in his career was reached in 1564 with the publication of a World Map in eight sheets of which only one copy is known: other individual maps followed and then - at the suggestion of a friend - he gathered together a collection of maps from contacts among European cartographers and had them engraved in uniform size and issued in 1570 as the Theatrum Orbis Terrarum (Atlas of the Whole World). Although Lafreri and others in Italy had published collections of 'modern' maps in book form in earlier years, the Theatrum was the first uniformly sized, systematic collection of maps and hence can be called the first atlas, although that term itself was not used until twenty years later by Mercator.
The Theatrum, with most of its maps elegantly engraved by Frans Hogenberg, was an instant success and appeared in numerous editions in different languages including addenda issued from time to time incorporating the latest contemporary knowledge and discoveries. The final edition appeared in 1612. Unlike many of his contemporaries Ortelius noted his sources of information and in the first edition acknowledgement was made to eighty-seven different cartographers.
Apart from the modern maps in his major atlas, Ortelius himself compiled a series of historical maps known as the Parergon Theatri which appeared from 1579 onwards, sometimes as a separate publication and sometimes incorporated in the Theatrum.
1570 Theatrum Orbis Terrarum 1570-1612 Between these years the Theatrum was re-issued in 42 editions with 5 supplements with text in Latin, Dutch, German, French, Spanish, Italian and English. The English edition was published in 1606 by John Norton, the maps being printed in Antwerp and the text added in London. Three years later Ortelius died in 1598, his heirs transferred publication rights to Jan Baptiste Vrients who produced the posthumous editions until he died in 1612
1577-85 Spiegel der Werelt (8vo) Maps from the Theatrum, reduced in size, engraved by Philip Galle: text by Pieter Heyns. 6 editions with Dutch, French and Latin text. 1588-i 603 Epitome theatri orbis terrarum (12mo/8v0) 11 further editions of the smaller maps with an increasing number of maps with text also in Italian and English (1603). i6oi-i 2 7 further editions with improved engravings by Arsenius Brothers: text by Michel Coignet in Latin, French, German, Italian and English (1603). 1598-1724 Theatro del Mondo (4t0/12mo/24mo) 8 editions with Italian text; plates engraved in Italy.
1579-1606 Parergon Theatri The number of maps included in the Parergon increased from 4 in 1579 to 43 in 1606 with text in Latin, French, Italian, German and English (1606) 1624 Re-issued in Antwerp as a separate publication by Balthasar Moretus. This edition included a reproduction of the Peutinger table.
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Abraham ORTELIUS (1528 - 1598)
|
Abraham Ortel, better known as Ortelius, was born in Antwerp and after studying Greek, Latin and mathematics set up his business there with his sister, as a book dealer and 'painter of maps'. Travelling widely, especially to the great book fairs, his business prospered and he established contacts with many sultured men in many lands. On one such visit to England, possibly seeking temporary refuge from religious persecution, he met William Camden whom he is said to have encouraged in the production of the Britannia.
A turning-point in his career was reached in 1564 with the publication of a World Map in eight sheets of which only one copy is known: other individual maps followed and then - at the suggestion of a friend - he gathered together a collection of maps from contacts among European cartographers and had them engraved in uniform size and issued in 1570 as the Theatrum Orbis Terrarum (Atlas of the Whole World). Although Lafreri and others in Italy had published collections of 'modern' maps in book form in earlier years, the Theatrum was the first uniformly sized, systematic collection of maps and hence can be called the first atlas, although that term itself was not used until twenty years later by Mercator.
The Theatrum, with most of its maps elegantly engraved by Frans Hogenberg, was an instant success and appeared in numerous editions in different languages including addenda issued from time to time incorporating the latest contemporary knowledge and discoveries. The final edition appeared in 1612. Unlike many of his contemporaries Ortelius noted his sources of information and in the first edition acknowledgement was made to eighty-seven different cartographers.
Apart from the modern maps in his major atlas, Ortelius himself compiled a series of historical maps known as the Parergon Theatri which appeared from 1579 onwards, sometimes as a separate publication and sometimes incorporated in the Theatrum.
1570 Theatrum Orbis Terrarum 1570-1612 Between these years the Theatrum was re-issued in 42 editions with 5 supplements with text in Latin, Dutch, German, French, Spanish, Italian and English. The English edition was published in 1606 by John Norton, the maps being printed in Antwerp and the text added in London. Three years later Ortelius died in 1598, his heirs transferred publication rights to Jan Baptiste Vrients who produced the posthumous editions until he died in 1612
1577-85 Spiegel der Werelt (8vo) Maps from the Theatrum, reduced in size, engraved by Philip Galle: text by Pieter Heyns. 6 editions with Dutch, French and Latin text. 1588-i 603 Epitome theatri orbis terrarum (12mo/8v0) 11 further editions of the smaller maps with an increasing number of maps with text also in Italian and English (1603). i6oi-i 2 7 further editions with improved engravings by Arsenius Brothers: text by Michel Coignet in Latin, French, German, Italian and English (1603). 1598-1724 Theatro del Mondo (4t0/12mo/24mo) 8 editions with Italian text; plates engraved in Italy.
1579-1606 Parergon Theatri The number of maps included in the Parergon increased from 4 in 1579 to 43 in 1606 with text in Latin, French, Italian, German and English (1606) 1624 Re-issued in Antwerp as a separate publication by Balthasar Moretus. This edition included a reproduction of the Peutinger table.
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