Turbaned soldier on horseback
| Reference: | S40250 |
| Author | Harmensz van Rijn detto REMBRANDT |
| Year: | 1632 |
| Measures: | 60 x 82 mm |
| Reference: | S40250 |
| Author | Harmensz van Rijn detto REMBRANDT |
| Year: | 1632 |
| Measures: | 60 x 82 mm |
Description
Turbaned soldier on horseback; seen from behind; second state with plate edges trimmed.
Etching, circa 1630-34, lettered with Rembrandt's monogram, in top right (in reverse): "RHL".
A very good impression, printed on contemporary laid paper, trimmed to the platemark, very good condition.
Nowell-Ustike assigns the status of "RR-" (A very scarce little print).
Collection marks of Richard Houlditch (Lugt 2215).
Literature
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Nowell-Ustike 139, II/II; White & Boon 1969 139; New Hollstein (Dutch & Flemish) 43.II (Rembrandt); Hind 1923 99.II.
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Harmensz van Rijn detto REMBRANDT (Leida 1606 - Amsterdam 1669)
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Born in Leiden, Holland in 1606, Rembrandt studied with Jacob Isaacsz van Swanenburgh (1571-1638) and Pieter Lastman (1583-1633). By 1626 he was an independent painter, working in Leiden alongside Jan Lievens (1607-74), another pupil of Lastman.
In 1631 Rembrandt moved to Amsterdam where he painted portraits of wealthy merchants. Three years later, he married his first wife, Saskia, and by the end of the 1630s he had moved into a substantial house (now the Rembrandt House Museum). In 1642, the year Rembrandt completed The Nightwatch (Rijksmuseum, Amsterdam), Saskia died.
By 1649, Hendrikje Stoffels had become his housekeeper and partner. Both Saskia and Hendrikje Stoffels posed for many paintings and sketches, often appearing as Susannah, Diana, Flora, Artemisa and other classical or Biblical figures. Rembrandt, however, was plagued by financial troubles and in 1656 his assets were made over to the courts, and many were sold. With his wife and son in financial control, Rembrandt continued to paint. Hendrikje died in 1663, his son Titus in 1668 and Rembrandt himself in 1669.
In his drawings, etchings and paintings, Rembrandt treated every subject: histories, landscapes, portraits, self-portraits, everyday scenes or sketches from nature. Rembrandt's biographer, Cornelis de Bie, praised his paintings, 'which enlighten every mind', and his etchings which are 'the very soul of life that lives therein'.
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Literature
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Nowell-Ustike 139, II/II; White & Boon 1969 139; New Hollstein (Dutch & Flemish) 43.II (Rembrandt); Hind 1923 99.II.
|
Harmensz van Rijn detto REMBRANDT (Leida 1606 - Amsterdam 1669)
|
Born in Leiden, Holland in 1606, Rembrandt studied with Jacob Isaacsz van Swanenburgh (1571-1638) and Pieter Lastman (1583-1633). By 1626 he was an independent painter, working in Leiden alongside Jan Lievens (1607-74), another pupil of Lastman.
In 1631 Rembrandt moved to Amsterdam where he painted portraits of wealthy merchants. Three years later, he married his first wife, Saskia, and by the end of the 1630s he had moved into a substantial house (now the Rembrandt House Museum). In 1642, the year Rembrandt completed The Nightwatch (Rijksmuseum, Amsterdam), Saskia died.
By 1649, Hendrikje Stoffels had become his housekeeper and partner. Both Saskia and Hendrikje Stoffels posed for many paintings and sketches, often appearing as Susannah, Diana, Flora, Artemisa and other classical or Biblical figures. Rembrandt, however, was plagued by financial troubles and in 1656 his assets were made over to the courts, and many were sold. With his wife and son in financial control, Rembrandt continued to paint. Hendrikje died in 1663, his son Titus in 1668 and Rembrandt himself in 1669.
In his drawings, etchings and paintings, Rembrandt treated every subject: histories, landscapes, portraits, self-portraits, everyday scenes or sketches from nature. Rembrandt's biographer, Cornelis de Bie, praised his paintings, 'which enlighten every mind', and his etchings which are 'the very soul of life that lives therein'.
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