Chioza ou Fossa Claudia Ville Episcopale de la Republique de Venise
| Reference: | S40212 |
| Author | Pierre MORTIER |
| Year: | 1704 ca. |
| Zone: | Chioggia |
| Printed: | Amsterdam |
| Measures: | 270 x 375 mm |
€200.00
| Reference: | S40212 |
| Author | Pierre MORTIER |
| Year: | 1704 ca. |
| Zone: | Chioggia |
| Printed: | Amsterdam |
| Measures: | 270 x 375 mm |
€200.00
Description
Esemplare tratto dal primo volume del "Nouveau Theatre de l'Italie" pubblicato ad Amsterdam nel 1704/5 e nel 1724, quale integrazione al progetto di Johannes Baleu, iniziato nel 1663, del grande "libro delle città", manchevole delle piante di gran parte della parte settentrionale della penisola.
Il Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata “Nouveau Theatre de l’Italie”.
L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera.
L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. La particolarità che differenzia le due edizioni di Blaeu e Mortier è rappresentata dal fatto che il testo non è al verso della singola mappa (che quindi è bianca nel retro), ma si trova all’inizio di ogni singolo volume. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da R. Alberts ed edita nel 1724/5.
Incisione in rame, in buono stato di conservazione. Bibliografia: Cremonini pp. 83-90.
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Pieter and David Mortier were brothers of French extraction whose publishing interests covered a wide field embracing French and English works as well as Dutch.
Pieter was probably trained in the bookselling business in Paris and David spent many years in England; in fact, he acquired British nationality and died there in about 1728.
After Pieter's death, his widow continued the business until their son, Cornelis, was able to take over; then, in 1721, Cornelis entered into partnership with his brother-in-law, Johannes Covens, to form the famous name Covens and Mortier, a firm which existed, with slight change of name, until the middle of the nineteenth century.
Under the heading Pieter Mortier we give some details of the extensive publishing business which he built up in Amsterdam and which, after his death, was subsequently taken over by his son, the above-named Cornelis.
In 1721 Cornelis married the sister of Johannes Covens and in the same year he and Johannes entered into partnership as publishers under the name Covens and Mortier which, with its successors, became one of the most important firms in the Dutch map publishing business.
Their prolific output over the years included reissues of general atlases by Sanson, Jaillot, Delisle, Visscher, de Wit (whose stock they acquired) and others (often with re-engraved maps), atlases of particular countries including Germany, England and Scotland and others in Europe, pocket atlases, town plans and, from about 1730 onwards, a series under the title Nieuwe Atlas, some consisting of as many as 900 maps by various cartographers and publishers. As there is no conformity about these volumes they were presumably made up to special order and only general details of publication can be quoted in a work of this size.
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Pieter and David Mortier were brothers of French extraction whose publishing interests covered a wide field embracing French and English works as well as Dutch.
Pieter was probably trained in the bookselling business in Paris and David spent many years in England; in fact, he acquired British nationality and died there in about 1728.
After Pieter's death, his widow continued the business until their son, Cornelis, was able to take over; then, in 1721, Cornelis entered into partnership with his brother-in-law, Johannes Covens, to form the famous name Covens and Mortier, a firm which existed, with slight change of name, until the middle of the nineteenth century.
Under the heading Pieter Mortier we give some details of the extensive publishing business which he built up in Amsterdam and which, after his death, was subsequently taken over by his son, the above-named Cornelis.
In 1721 Cornelis married the sister of Johannes Covens and in the same year he and Johannes entered into partnership as publishers under the name Covens and Mortier which, with its successors, became one of the most important firms in the Dutch map publishing business.
Their prolific output over the years included reissues of general atlases by Sanson, Jaillot, Delisle, Visscher, de Wit (whose stock they acquired) and others (often with re-engraved maps), atlases of particular countries including Germany, England and Scotland and others in Europe, pocket atlases, town plans and, from about 1730 onwards, a series under the title Nieuwe Atlas, some consisting of as many as 900 maps by various cartographers and publishers. As there is no conformity about these volumes they were presumably made up to special order and only general details of publication can be quoted in a work of this size.
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