Nouvelle Mappe Monde dedièe au progrès de nos connoissances

Reference: S35718
Author Francesco & Paolo SANTINI
Year: 1776 ca.
Zone: The World
Printed: Venice
Measures: 680 x 490 mm
€1,300.00

Reference: S35718
Author Francesco & Paolo SANTINI
Year: 1776 ca.
Zone: The World
Printed: Venice
Measures: 680 x 490 mm
€1,300.00

Description

A finely engraved scientific double hemisphere world map, constructed with the prime meridian through Paris . The hemispheres are rotated on their axis through 45 degrees in order to define one watery, the other land.

This effect creates the 'Hemisphere Terrestre' with the countries of the northern hemisphere, Africa and most of South America, while the 'Hemisphere Maritime' shows the East Indies, Australasia and the Pacific, and the southern tip of South America.

Not surprisingly, as a consequence of this experiment from France's school of theoretical cartographers, Paris appears "precisement au centre de tous les continents du monde." This unusual projection, based on the work of the French Academie Royale des Sciences, also emphasises the continuity of the continents.

This is a theme in keeping with the earlier work by French scientific map-makers, including Philippe Buache, and repeats typical theoretical concepts such as the 'Mer De L'Ouest' and the other fanciful water systems apparent in north-west America. The map was first published in Paris by Julien in 1753. This particular example is a later Italian edition published in Venice by Santini and Remondini. The map, set within an elaborate framework design, sits above paragraphs of French text explaining the projection.

Thus Santini could name the two halves 'Hemisphere Maritime' and 'Hemisphere Terrestre'. Australia and New Zealand are only shown partially (despite Cook a decade before); the erroneous 'Mer de L'Ouest' appears in northwest America , with a large 'I. Nouvelle' just south of the Bering Straits; and Jesso is part of mainland Asia.

Map compiled by Don Paolo Santini and his brother Francesco, for their prestigious Atlas universel dressé sur les meilleures cartes modernes, a sumptuous Atlas composed of maps that rework the most up-to-date French cartography in a Venetian guise.

The maps are taken from the best geographers of his time, D'Anville, Bellin, Bonne, Borgomo, Boscovich, Clarici, Delisle, Jaillot, Janvier, Robert de Vaugondy.  Indeed, in Santini's maps, French terms are mixed with Italian, but they are offered with a compositional and engraving grace that is characteristic of them: an uncluttered toponymy, written large and clearly legible.

Santini's Atlas did not have great publishing success and came out in few copies: it was then reprinted by the Remondini, who had purchased the copperplates from Santini in 1781. To Paolo Santini's maps, dated between 1774 and 1780, the Remondini added several other maps, dated between 1782 and 1784: among them, in the second volume, the large folded maps of Italy, the Republic of Genoa, Palestine, and the large maps of Africa.

Paolo Santini (1729, Venice-1793, Belluno), Catholic priest at the Church of Santa Maria Formosa in Venice, professor of drawing at schools in the Lagooon city of the Venetian Province of the Society of Jesus. Santini, a cartographer, engraver and publisher, updated and published the maps of French geographers and cartographers Gilles Robert de Vaugondy (1688-1766) and Didier Robert de Vaugondy (c. 1723-1786), also drawing inspiration from the works of Italian cartographers, first and foremost those of Giovanni Antonio Rizzi Zannoni (1736-1814). Using, as a model, the maps collected and published in 1752 in the Atlas Universel by Gilles Robert and Didier Robert de Vaugondy, purchased in Paris by his brother, Francesco Santini, and the "best maps" of the time, Paolo Santini engraved new plates and gave to the presses in Venice, in 1776, the Atlas Universel dressé sur les meilleures cartes modernes. The following year, 1777, he sold the publishing rights to publisher Giuseppe Remondini (1754-1811) of Bassano del Grappa, who reprinted the "Atlas Universel" in two volumes that collected a total of 123 maps. The copper plates in the Santini's possession were later purchased, in 1781, by the Remondini printing house.

Copperplate engraving, original outline coloring, in excellent condition.

Bibliografia

NMM III, 277; Nordenskiöld 276; Phillips, Atlases 647. Rodolfo Gallo, L'incisione nel '700 a Venezia e a Bassano, in “Ateneo Veneto”, A. CXXXII, v. 128, pp. 153-214.

Francesco & Paolo SANTINI (Attivi a Venezia seconda metà del XVIII secolo)

Paolo Santini (1729 Venice - Belluno 1793) was a priest of the church of Santa Maria Formosa in Venice, and professor of drawing at the public schools of the Jesuits. From the best papers of the time he realized his brother Francis, the famous Atlas Universal, split into two volumes and containing 123 cards. Francesco Santini he published between 1776 and 1780. Then the branches of the intaglio print cards were purchased in 1781 by Bassano Printing Remondini which reissued the atlas.

Francesco & Paolo SANTINI (Attivi a Venezia seconda metà del XVIII secolo)

Paolo Santini (1729 Venice - Belluno 1793) was a priest of the church of Santa Maria Formosa in Venice, and professor of drawing at the public schools of the Jesuits. From the best papers of the time he realized his brother Francis, the famous Atlas Universal, split into two volumes and containing 123 cards. Francesco Santini he published between 1776 and 1780. Then the branches of the intaglio print cards were purchased in 1781 by Bassano Printing Remondini which reissued the atlas.