Autour du Piano
| Reference: | S7578 |
| Author | Adolphe Lalauze |
| Year: | 1881 |
| Measures: | 245 x 335 mm |
| Reference: | S7578 |
| Author | Adolphe Lalauze |
| Year: | 1881 |
| Measures: | 245 x 335 mm |
Description
Etching, 1881, lettered with production detail: 'Jean Béraud pinx. - Ad. Lalauze sc.' and 'Imp. A. Salmon', title, and 'L'Art'. Signed on plate: 'Ad. Lalauze sc. Jean Béraud'.
After the painting La Soirée. Autour du piano by Jean Beraud.
Adolphe Lalauze (1838 –1906) was known for etchings that depicted children, using his own children as models. He also made etchings that interpreted work by such artists as Charles Bargue, Pieter Codde, Alexandre-Gabriel Decamps, Juan Antonio Gonzalez, Charles Green, Antoine-Jean Gros, Jean-Baptiste Huet, Pierre-Paul Prud'hon, David Teniers, Giovanni Battista Tiepolo, and Diego Velázquez. During his lifetime he was called "one of the most skillful original etchers of the modern French school."
This etching was published in 'L'Art', 1881, vol XXVI page 309. Some foxing, otherwise good condition.
References:
J. Adhémar, J. Lethève, Inventaire du Fonds Francais Apres 1800, cat. n. 106.
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Adolphe Lalauze (1838 –1906) was known for etchings that depicted children, using his own children as models. He also made etchings that interpreted work by such artists as Charles Bargue, Pieter Codde, Alexandre-Gabriel Decamps, Juan Antonio Gonzalez, Charles Green, Antoine-Jean Gros, Jean-Baptiste Huet, Pierre-Paul Prud'hon, David Teniers, Giovanni Battista Tiepolo, and Diego Velázquez. During his lifetime he was called "one of the most skillful original etchers of the modern French school."
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Adolphe Lalauze (1838 –1906) was known for etchings that depicted children, using his own children as models. He also made etchings that interpreted work by such artists as Charles Bargue, Pieter Codde, Alexandre-Gabriel Decamps, Juan Antonio Gonzalez, Charles Green, Antoine-Jean Gros, Jean-Baptiste Huet, Pierre-Paul Prud'hon, David Teniers, Giovanni Battista Tiepolo, and Diego Velázquez. During his lifetime he was called "one of the most skillful original etchers of the modern French school."
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