Veduta degli scavi eseguiti nel 1895 presso il Colosseo con i ruderi dell'ingresso delle Terme di Tito rinvenuti sul Monte Oppio

Etching, 1897, signed in plate at lower right.

Magnificent and very rare etching depicting the Flavian Amphitheater in its present form, due to exterior excavations carried out in 1895.

Cesare Biseo painter, watercolorist and engraver, was born in Rome, where his father, Gian Battista, a talented academic painter from Brescia, had recently moved to decorate the castle of Bracciano. Receives therefore from the father the first artistic teachings and, following the parent, spends as a young man a long period in Paris. In 1869, on the occasion of the inauguration of the Suez Canal, the Kedivé of Egypt called him to decorate first his palace in Alexandria and then the Opera House in Cairo.   Having fallen in love with Africa, he visited it several times and in 1875 with Edmondo De Amicis and the painter Stefano Ussi was part of the first Italian mission to Morocco. It draws several albums of sketches, which used to illustrate, along with Ussi, the book of De Amicis, Morocco, published in 1877 by the publisher Treves in Milan. In the same year accompanies De Amicis in Constantinople, then illustrating the homonymous book of the writer published in '78 always by Treves. The great success of both editions consecrates Biseo "orientalist", pushing him to intensify the production of oils and watercolors to Arab subject. Meanwhile in 1875, along with E. Roesler Franz and N. Cipriani, founded in Rome the Society of Watercolorists, of which he became president in 1881. The orientalist vein, in fact, had not made him forget the passion for the landscapes of the Roman countryside, portrayed with great fidelity and original cuts of light ("the bold effect of the sun"), evolving from the original classical taste towards more and more realistic solutions. We also find him among the founding members of the Group of XXV of the Roman Countryside, where Pascarella gives him the nickname of "cariate" for his Egyptian past. He had a studio in Via Margutta and was, as the photos of Oreste Sgambati demonstrate, a frequent visitor to the Caffè Greco, where he was nicknamed "professorissimo" for his mastery at billiards. In addition to the frescoes and decorations of the early days, he painted equally well in oil and watercolor. He also devoted himself successfully to etching, as evidenced by his beautiful book illustrations.

The copper plate of the work is preserved at the Istituto Centrale per la Grafica [Calcografia Nazionale]

https://www.calcografica.it/matrici/inventario.php?id=M-1228

Bibliografia

C.A. Petrucci, CATALOGO GENERALE DELLE STAMPE TRATTE DAI RAMI INCISI POSSEDUTI DALLA CALCOGRAFIA NAZIONALE, 1228, p. 26, 1953; SERVOLINI L., DIZIONARIO ILLUSTRATO DEGLI INCISORI ITALIANI MODERNI E CONTEMPORANEI, p. 94, 1955.