Landscape with Venus and Adonis
| Reference: | S10917 |
| Author | Hieronimus COCK |
| Year: | 1558 ca. |
| Measures: | 310 x 225 mm |
| Reference: | S10917 |
| Author | Hieronimus COCK |
| Year: | 1558 ca. |
| Measures: | 310 x 225 mm |
Description
Landscape with hunting scenes. On the right, Adonis is shown being killed by a wild boar. In the center Venus and Amor mourning the dead Adonis. Print from a series of 13 landscapes with biblical and mythological scenes.
Engraving, 1551-58, signed on plate at lower left Deflet Amasium suum / Adonidem Venus. / Cock fe. / Cum gratia et privilegio per an.o 6
Part of the series Landscapes with biblical and mythological scene.
Excellent work, particularly clear and with good contrast, printed on contemporary laid paper without watermark, with uncommon margins beyond the printmark, in good conditions. In all probability this composition, as many others of the same collection, comes from Mathys Cock’s drawings, realized in 1543.
The series consists of fourteen engravings, four of which show the date 1558, enabling us to approximately date the remaining works around this year.
Hieronymus Cock, or Hieronymus Wellens de Cock (1518 – 3 October 1570) was a Flemish painter and etcher as well as a publisher and distributor of prints. Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1,100 prints between 1548 and his death in 1570, a vast number by earlier standards. While far more important and influential as a publisher, Cock was also an artist of talent, as seen in his last series of 14 landscape etchings of 1558, which are somewhat in the fantastic style of the paintings of his brother Matthys Cock. In 1559 and 1561 he published two series of landscape prints by an anonymous Flemish draughtsman now referred to as the Master of the Small Landscapes. The series of landscapes were drawn from nature in the vicinity of Antwerp and had an important influence on the development of Flemish and Dutch realist landscape art. The publishing house Aux Quatre Vents played an important role in the spread of the Italian High Renaissance throughout northern Europe as Cock published prints made by prominent engravers such as Giorgio Ghisi, Dirck Volckertsz Coornhert and Cornelis Cort after the work of leading Italian painters like Raphael, Primaticcio, Bronzino, Giulio Romano and Andrea del Sarto.
Magnificent example of this rare work.
Literature
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Hollstein 20; D. Allart, in J. van Grieken - G. Luijten - J. van der Stock, "Hieronymus Cock: The Renaissance in Print", exh.cat. 2013.
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Hieronimus COCK (Anversa 1518 - 1570)
|
Hieronymus Cock, or Hieronymus Wellens de Cock (1518 – 3 October 1570) was a Flemish painter and etcher as well as a publisher and distributor of prints. Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1,100 prints between 1548 and his death in 1570, a vast number by earlier standards.
While far more important and influential as a publisher, Cock was also an artist of talent, as seen in his last series of 12 landscape etchings of 1558, which are somewhat in the fantastic style of the paintings of his brother Matthys Cock. Altogether he etched 62 plates.
Hieronymus Cock was born into an artistic family. His father Jan Wellens de Cock and his brother Matthys Cock were both painters and draftsmen. He was admitted as a master painter in the Guild of Saint Luke in Antwerp in 1545. He resided in Rome from 1546 to 1547. When he returned to Antwerp in 1547, he married Volcxken Diericx. Together with his wife he founded in 1548 the publishing house Aux quatre vents or In de Vier Winden (the "House of the Four Winds"). The publishing house issued its first prints in 1548. The majority of Cock's prints were made after paintings or designs purposely made for him by artists from the Low Countries such as Frans Floris, Pieter Brueghel the Elder, Lambert Lombard, Maarten van Heemskerck and Hieronymus Bosch as well as architectural and ornament designs by Cornelis Floris and Hans Vredeman de Vries. Cock employed some of the best engravers of his time such as Johannes Wierix, Adriaen Collaert, Philip Galle, Cornelis Cort and the Italian Giorgio Ghisi.
In 1559 and 1561 he published two series of landscape prints by an anonymous Flemish draughtsman now referred to as the Master of the Small Landscapes. The series of landscapes were drawn from nature in the vicinity of Antwerp and had an important influence on the development of Flemish and Dutch realist landscape art.
The publishing house Aux Quatre Vents played an important role in the spread of the Italian High Renaissance throughout northern Europe as Cock published prints made by prominent engravers such as Giorgio Ghisi, Dirck Volckertsz Coornhert and Cornelis Cort after the work of leading Italian painters like Raphael, Primaticcio, Bronzino, Giulio Romano and Andrea del Sarto. The Italian historian of architecture Vincenzo Scamozzi copied many of the engravings published by Cock in 1551 for his volume on Rome entitled 'Discorsi sopra L'antichita di Roma' (Venice: Ziletti, 1583). Cock collaborated with the Spanish cartographer Diego Gutiérrez on a 1562 Map of America. Hieronymus Cock collaborated with Antwerp architect and designer Cornelis Floris de Vriendt in the publishing of Cornelis Floris' designs for monuments and ornaments: the ‘’Veelderley niewe inuentien van antycksche sepultueren’’ (‘The many new designs of antique sculptures') was published in 1557 and the ‘’Veelderley veranderinghe van grotissen’’ (‘Many varieties of grotesques’) in 1556. The publication of these books contributed to the spread of the so-called Floris style throughout the Netherlands. The Dutch publisher Philip Galle worked at Cock's printing house from 1557 and succeeded him in 1570.
|
Literature
|
Hollstein 20; D. Allart, in J. van Grieken - G. Luijten - J. van der Stock, "Hieronymus Cock: The Renaissance in Print", exh.cat. 2013.
|
Hieronimus COCK (Anversa 1518 - 1570)
|
Hieronymus Cock, or Hieronymus Wellens de Cock (1518 – 3 October 1570) was a Flemish painter and etcher as well as a publisher and distributor of prints. Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1,100 prints between 1548 and his death in 1570, a vast number by earlier standards.
While far more important and influential as a publisher, Cock was also an artist of talent, as seen in his last series of 12 landscape etchings of 1558, which are somewhat in the fantastic style of the paintings of his brother Matthys Cock. Altogether he etched 62 plates.
Hieronymus Cock was born into an artistic family. His father Jan Wellens de Cock and his brother Matthys Cock were both painters and draftsmen. He was admitted as a master painter in the Guild of Saint Luke in Antwerp in 1545. He resided in Rome from 1546 to 1547. When he returned to Antwerp in 1547, he married Volcxken Diericx. Together with his wife he founded in 1548 the publishing house Aux quatre vents or In de Vier Winden (the "House of the Four Winds"). The publishing house issued its first prints in 1548. The majority of Cock's prints were made after paintings or designs purposely made for him by artists from the Low Countries such as Frans Floris, Pieter Brueghel the Elder, Lambert Lombard, Maarten van Heemskerck and Hieronymus Bosch as well as architectural and ornament designs by Cornelis Floris and Hans Vredeman de Vries. Cock employed some of the best engravers of his time such as Johannes Wierix, Adriaen Collaert, Philip Galle, Cornelis Cort and the Italian Giorgio Ghisi.
In 1559 and 1561 he published two series of landscape prints by an anonymous Flemish draughtsman now referred to as the Master of the Small Landscapes. The series of landscapes were drawn from nature in the vicinity of Antwerp and had an important influence on the development of Flemish and Dutch realist landscape art.
The publishing house Aux Quatre Vents played an important role in the spread of the Italian High Renaissance throughout northern Europe as Cock published prints made by prominent engravers such as Giorgio Ghisi, Dirck Volckertsz Coornhert and Cornelis Cort after the work of leading Italian painters like Raphael, Primaticcio, Bronzino, Giulio Romano and Andrea del Sarto. The Italian historian of architecture Vincenzo Scamozzi copied many of the engravings published by Cock in 1551 for his volume on Rome entitled 'Discorsi sopra L'antichita di Roma' (Venice: Ziletti, 1583). Cock collaborated with the Spanish cartographer Diego Gutiérrez on a 1562 Map of America. Hieronymus Cock collaborated with Antwerp architect and designer Cornelis Floris de Vriendt in the publishing of Cornelis Floris' designs for monuments and ornaments: the ‘’Veelderley niewe inuentien van antycksche sepultueren’’ (‘The many new designs of antique sculptures') was published in 1557 and the ‘’Veelderley veranderinghe van grotissen’’ (‘Many varieties of grotesques’) in 1556. The publication of these books contributed to the spread of the so-called Floris style throughout the Netherlands. The Dutch publisher Philip Galle worked at Cock's printing house from 1557 and succeeded him in 1570.
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