St. Peters Kirch, zur Seiten, auf dem Vaticano
| Reference: | S40768 |
| Author | Joachim von SANDRART |
| Year: | 1685 ca. |
| Zone: | San Pietro |
| Measures: | 380 x 220 mm |
€120.00
| Reference: | S40768 |
| Author | Joachim von SANDRART |
| Year: | 1685 ca. |
| Zone: | San Pietro |
| Measures: | 380 x 220 mm |
€120.00
Description
After Giovanni Battista Falda.
From the series Romanorum fontinalia… edited in Nurenberg b y J. Von Sandrart in 1685.
The plates were engraved by Hans Ulrich Frank, Johannes Meyer and Suzanne Marie von Sandrart, reproducing in reverse the Falda' plates , and adding also bilingual captions, in Latin and German.
Etching, in good condition.
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
|
German painter and treatises. Traveled extensively and was the most important German artist of the time but is remembered today almost exclusively for the "Teutsche Academie der Edlen Bau-Bild-und Mahlerey Künste" (German Academy of the noble arts of architecture, sculpture and painting) , published in Nuremberg in 1675-79 and followed by Latin edition in 1683. This treaty, organized into three main sections, is a source of great importance. The first part is an introduction to the art of architecture, painting and sculpture, mainly derived from earlier sources like Vasari and Van Mander. The second part, which contains biographies of artists, uses the same way as material from earlier sources, but also contains new material, especially on German artists and contemporary artists that the author knew personally (including Poussin and Lorrain). The third part contains information on art collections and a survey 'iconography, and finally there is also a chapter on the art of the Far East. Sandrart was the first director (1662) Academy of Nuremberg (the first in Germany).
|
Joachim von SANDRART (Francoforte 1606 - Norimberga 1688)
|
German painter and treatises. Traveled extensively and was the most important German artist of the time but is remembered today almost exclusively for the "Teutsche Academie der Edlen Bau-Bild-und Mahlerey Künste" (German Academy of the noble arts of architecture, sculpture and painting) , published in Nuremberg in 1675-79 and followed by Latin edition in 1683. This treaty, organized into three main sections, is a source of great importance. The first part is an introduction to the art of architecture, painting and sculpture, mainly derived from earlier sources like Vasari and Van Mander. The second part, which contains biographies of artists, uses the same way as material from earlier sources, but also contains new material, especially on German artists and contemporary artists that the author knew personally (including Poussin and Lorrain). The third part contains information on art collections and a survey 'iconography, and finally there is also a chapter on the art of the Far East. Sandrart was the first director (1662) Academy of Nuremberg (the first in Germany).
|