Landscape
| Reference: | S20935 |
| Author | Simon FRISIUS |
| Year: | 1614 |
| Measures: | 150 x 95 mm |
€180.00
| Reference: | S20935 |
| Author | Simon FRISIUS |
| Year: | 1614 |
| Measures: | 150 x 95 mm |
€180.00
Description
Landscapes from the collection Topographia Variarum Regionum, after subjects by Mattehus Bril, published by Hendrick Hondius in Amsterdam in 1614.
Etchings, printed on contemporary laid paper, irregularly trimmed to the external line, in excellent condition.
Examples in the first state of three.
Literature
|
Hollstein 64-91 I/III. Dimensioni150x95
|
Simon FRISIUS (Harlingen 1580 circa – Den Haag 1629)
|
Frisius is regarded as one of the first to bring etching to perfection. Abraham Bosse, in his treatise on the art of engraving, observes that the first artist to whom he was indebted for intelligence was Simon Frisius, whom he thinks was entitled to great credit, as being one of the first to handle the point with freedom and facility. His etchings are bold and masterly; and in his hatchings he approaches the neatness and strength of the graver. The prints of De Vries are scarce, and are much esteemed. The small figures which he occasionally introduced into his landscapes are correctly drawn. He frequently marked his plates S. F. fecit, but sometimes with the word fecit only. He started his career in Paris, and worked in Rouen and Amsterdam before moving to the Hague in 1611 where he became a member of the Confrerie Pictura. He travelled in France, Spain, Germany, Bohemia, and Russia
|
Literature
|
Hollstein 64-91 I/III. Dimensioni150x95
|
Simon FRISIUS (Harlingen 1580 circa – Den Haag 1629)
|
Frisius is regarded as one of the first to bring etching to perfection. Abraham Bosse, in his treatise on the art of engraving, observes that the first artist to whom he was indebted for intelligence was Simon Frisius, whom he thinks was entitled to great credit, as being one of the first to handle the point with freedom and facility. His etchings are bold and masterly; and in his hatchings he approaches the neatness and strength of the graver. The prints of De Vries are scarce, and are much esteemed. The small figures which he occasionally introduced into his landscapes are correctly drawn. He frequently marked his plates S. F. fecit, but sometimes with the word fecit only. He started his career in Paris, and worked in Rouen and Amsterdam before moving to the Hague in 1611 where he became a member of the Confrerie Pictura. He travelled in France, Spain, Germany, Bohemia, and Russia
|