Marcus de Schnurbein
| Reference: | S46759 |
| Author | Johann Jacob HAID |
| Year: | 1740 ca. |
| Measures: | 290 x 425 mm |
€250.00
| Reference: | S46759 |
| Author | Johann Jacob HAID |
| Year: | 1740 ca. |
| Measures: | 290 x 425 mm |
€250.00
Description
Portrait of Marcus von Schnurbein (1671-1746), from 1718 financier of the court chamber in Innsbruck and from 1724 of the bishop of Augsburg; from 1724 he also ran a gold and silver manufactory in Köthen and from 1728 invested in the black copper and silver income of the Mansfeld-Eisleben-Hettstedt mining industry.
Mezzotint, ca. 1740, signed in plate at lower right. Magnificent proof, richly toned, printed on contemporary laid paper, trimmed to copper, in excellent condition
Johann Jacob Haid or Johann Jakob Haid (1704–1767) was a German engraver who worked in Augsburg. Haid came from a German family of artists and engravers and was known for large mezzotint portraits. He worked in England, and it has been suggested that he borrowed from the work of Robert Robinson (c. 1651 – 1706), who was a popular English mezzotint engraver, painter, and stage designer. Haid also produced botanical work after Bartholomäus Seuter [de] (1678–1754) and with Johann Elias Ridinger, and worked on Johann Wilhelm Weinmann's "Phytanthoza iconographia".
Johann Jacob HAID (Kleineskingen 1704 – Ulm 1767)
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Johann Jacob Haid or Johann Jakob Haid (1704–1767) was a German engraver who worked in Augsburg. Haid came from a German family of artists and engravers and was known for large mezzotint portraits. He worked in England, and it has been suggested that he borrowed from the work of Robert Robinson (c. 1651 – 1706), who was a popular English mezzotint engraver, painter, and stage designer. Haid also produced botanical work after Bartholomäus Seuter [de] (1678–1754) and with Johann Elias Ridinger, and worked on Johann Wilhelm Weinmann's "Phytanthoza iconographia".
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Johann Jacob HAID (Kleineskingen 1704 – Ulm 1767)
|
Johann Jacob Haid or Johann Jakob Haid (1704–1767) was a German engraver who worked in Augsburg. Haid came from a German family of artists and engravers and was known for large mezzotint portraits. He worked in England, and it has been suggested that he borrowed from the work of Robert Robinson (c. 1651 – 1706), who was a popular English mezzotint engraver, painter, and stage designer. Haid also produced botanical work after Bartholomäus Seuter [de] (1678–1754) and with Johann Elias Ridinger, and worked on Johann Wilhelm Weinmann's "Phytanthoza iconographia".
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