Festa di Sant'Andrea ad Amalfi
| Reference: | S5474 |
| Author | Johan Fredrik MARTIN |
| Year: | 1790 ca. |
| Zone: | Amalfi |
| Printed: | London |
| Measures: | 840 x 535 mm |
€3,000.00
| Reference: | S5474 |
| Author | Johan Fredrik MARTIN |
| Year: | 1790 ca. |
| Zone: | Amalfi |
| Printed: | London |
| Measures: | 840 x 535 mm |
€3,000.00
Description
View of the feast of St. Andrew in Amalfi , taken from a drawing by Louis Jean Desprez.
Amalfi celebrates St. Andrew, patron saint of the city, twice a year, on Nov. 30, the other June 27 anniversary of the miracle that saved the city from the invasion of Amalfi pirate Kair -Ad- Din said Barbarossa in 1544. St. Andrew is the patron of fishermen from all over the world, fishmongers and all those that have to do with fishing . The celebrations of November 30 , participates in the entire population, and it is on this occasion that happens the "miracle of St. Andrew " , in many ways very similar to the miracle of the liquefaction of the blood of San Gennaro.
Likely that the realized design Desprez during his trip to Italy, during which describes a lot of places in southern Italy , then iconographic basis for the " Voyage Pittoresque " by the Richard de Saint-Non.
Aquatint printed with bistro ink, slightly trimmed within the marginal line, small cracks of paper, otherwise in excellent condition. An extremely rare work.
Literature
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Frölich, Johan Fredrik Martins gravyrer, Stockholm, 1939, 291 II.
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Johan Fredrik MARTIN (Stoccolma 1755 - ivi 1816)
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Johan Fredrik Martin (8 June 1755 – 28 September 1816) was a Swedish painter and engraver of the eighteenth century. He worked in a variety of media, especially stipple, contour etching and aquatint.
He was the son of Olof Martin and Ulrika Haupt. The famous landscape painter Elias Martin (1739–1818) was his elder brother; both men had sons who were also painters. In his youth Martin devoted himself primarily to the art of drawing. He spent the years 1770–1780 in England and received his education there from English graphic artists including William Woollett and Francesco Bartolozzi. At first he worked very close to his brother Elias, but after 1785 he became more independent and made graphic prints for other artists, among them Pehr Hilleström. After his return to Sweden he made graphic works such as Svenska galeriet (2 booklets with 12 portraits and biographies 1782–83). When Elias made a complete set of drawings for Carl Michael Bellman's song play Bacchi Tempel (The Temple of Bacchus), Johan Fredrik engraved them; both were "close friends" with Bellman. In 1784–87 Martin undertook several journeys through Sweden to subscribe prospects. In 1797 he published the collection Utsigter över Stockholm (Prospects of Stockholm), made with contour etchings which he hand-coloured with watercolours; these were widely sold. In 1805 he began to develop these and similar drawings in aquatint, and his great work, Svenska vyer arose gradually. His other works include the engraved plates to shield Brands Voyage pittoresque au Cap Nord, as well as plates from Louis Masreliez drawings, his brother Elias's landscape paintings and his drawings of the Bacchus temple. He also made many portraits and engravings on a wide variety of subjects. Martin was technically very skilled, working in several graphic techniques, especially stipple, contour etching and aquatint. Among his works is the "beautifying theatre view" from the Södermalm district of Stockholm with upper-class audience that is a watercoloured etching after a drawing by his brother Elias from about 1790.
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Literature
|
Frölich, Johan Fredrik Martins gravyrer, Stockholm, 1939, 291 II.
|
Johan Fredrik MARTIN (Stoccolma 1755 - ivi 1816)
|
Johan Fredrik Martin (8 June 1755 – 28 September 1816) was a Swedish painter and engraver of the eighteenth century. He worked in a variety of media, especially stipple, contour etching and aquatint.
He was the son of Olof Martin and Ulrika Haupt. The famous landscape painter Elias Martin (1739–1818) was his elder brother; both men had sons who were also painters. In his youth Martin devoted himself primarily to the art of drawing. He spent the years 1770–1780 in England and received his education there from English graphic artists including William Woollett and Francesco Bartolozzi. At first he worked very close to his brother Elias, but after 1785 he became more independent and made graphic prints for other artists, among them Pehr Hilleström. After his return to Sweden he made graphic works such as Svenska galeriet (2 booklets with 12 portraits and biographies 1782–83). When Elias made a complete set of drawings for Carl Michael Bellman's song play Bacchi Tempel (The Temple of Bacchus), Johan Fredrik engraved them; both were "close friends" with Bellman. In 1784–87 Martin undertook several journeys through Sweden to subscribe prospects. In 1797 he published the collection Utsigter över Stockholm (Prospects of Stockholm), made with contour etchings which he hand-coloured with watercolours; these were widely sold. In 1805 he began to develop these and similar drawings in aquatint, and his great work, Svenska vyer arose gradually. His other works include the engraved plates to shield Brands Voyage pittoresque au Cap Nord, as well as plates from Louis Masreliez drawings, his brother Elias's landscape paintings and his drawings of the Bacchus temple. He also made many portraits and engravings on a wide variety of subjects. Martin was technically very skilled, working in several graphic techniques, especially stipple, contour etching and aquatint. Among his works is the "beautifying theatre view" from the Södermalm district of Stockholm with upper-class audience that is a watercoloured etching after a drawing by his brother Elias from about 1790.
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